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Black White
Black White
PHOTOGRAPHy
fine art
in fashion
Black White
‘If he wanted
shades of grey
he used a black
fruit gum’
Vanessa Winship’s
award winning
pictures
How to get the
best from Raw
file editors
ON TEST
Fujifilm X10
Harman
Titan
pinhole
6
of the best
online storage
services
Claim an HLD-6 on redemption when you pre-order from selected
stockists including all Olympus Elite Centres before 30th April 2012.
Terms & conditions apply.
OM-D: CREATE YOUR OWN WORLD
A new digital SLR era is about to begin. Digital SLRs, which simply replaced fi lm with an imaging device,
did not change signifi cantly in terms of size, weight and user interface. The revolutionary, new mirrorless
camera, the OM-D, has an exceptionally light and compact body. Its Electronic Viewfi nder enables
photographers to check the Art Filter effect, colour temperature and exposure levels in real-time. When
shooting, you can instantly create a truly unique world and preserve it in exceptional quality. The world will
be transformed from something you see to something you take part in. The OM-D is a groundbreaking, new
digital interchangeable-lens camera, perfect for people who want to take part, create, and share.
  Welcome to
Girl with injured bird, Herat, Afghanistan,
January 2002, by Stewart Weir
Cover image by Cathleen Naundorf. See page 8
B&W
April 2012
1
 Issue 136 April 2012
CONTENTS
NEWS
COMMENT
FEATURES
8
THE ART OF FASHION
4
NEWSROOM
24
AMERICAN
WIN A SUBSCRIPTION
CONNECTION
Spotlight on two fine art
photographers
52
MAGNUM OPUS
‘If he wanted shades of
grey he used a black
fruit gum’
Sumptuous pictures on film
by Cathleen Naundorf
People and pictures making
the headlines in the b&w world
32
THAT INDEFINABLE
18
IN THE FRAME
QUALITY
Award-winning photographer
Vanessa Winship talks to
Elizabeth Roberts
42
LIKE FATHER,
Our guide to
photography exhibitions
20
ONE EXHIBITION
Find the quote and send us the page
number and you could win a year’s
free subscription!
Send your entries by 12 May
to markbe@thegmcgroup.com
A closer look at a
classic picture
78
THE NATIONAL
NOT TO MISS
The big show of the month
77
BUILDING A
MEDIA MUSEUM
Colin Harding celebrates the
100th anniversary of the first
compact camera
82
A FORTNIGHT AT F/8
GET IN TOUCH
Black
+
White Photography
GMC Publications Ltd, 86 High
Street, Lewes, East Sussex BN7 1XN
Tel 01273 477374
Email the Editor, Elizabeth
Roberts, at elizabethr@
thegmcgroup.com or the Deputy
Editor, Mark Bentley, at
markbe@thegmcgroup.com
LIKE SON
Evocative images of the north
of England in the 50s and 60s
by Harold Robinson
CLASSIC LIBRARY
Exploring the world of
found photographs
Enjoy your photography,
says Tim Clinch
© Cathleen Naundorf
© Vanessa Winship
32
8
42
24
52
82
© Harold Robinson
© S Gayle Stevens
© Martine Franck/Magnum Photos
© Tim Clinch
2
April 2012
B&W
 TESTS AND
PRODUCTS
YOUR
BLACK
+
WHITE
BLACK+WHITE
PHOTOGRAPHY
TECHNIQUE
© Tim Clinch
66
FUJIFILM X10
26
READERS’ PICTURES
Andy Luck tests a small
but perfectly formed compact
Win cash for your images
50
ASSIGNMENT
68
HARMAN TITAN
WINNER
Prize winning pictures
61
YOUR ASSIGNMENT
PINHOLE CAMERA
We test the popular new pinhole
camera kit
70
WINDOW SHOPPING
49
DISCOVERING
Will you accept
our challenge?
80
SUBSCRIPTION
LIGHTROOM
A useful tool to compare and
contrast your pictures
54
MY HOME TOWN
Cool gear coming to the
photography shops
72
CHECKOUT
OFFER
A special cover and a low price
85
NEXT MONTH
A
friend and I
Lee Frost sees familiar
surroundings with fresh eyes
62
HOW TO USE RAW
Need to store your
pictures safely? We look at the
six best online backup services
were recently
discussing the
fact that we’d
like to upgrade
our cameras but,
with limited funds, we weren’t
at all sure we could get what we
really wanted, so we came up
with the idea of sharing a camera.
And yes, I can already hear you
gasp with horror, but let me
reassure you that she is not only
a very good friend, she is also a
great photographer and treats her
equipment with all the respect
and care that I lavish on mine.
We have discussed ‘pre-nuptials’
and ‘access’ and are in broad
agreement. She works freelance
so would be more likely to use a
high end camera during the week,
while I, being desk bound, are
more likely to use it at weekends
and days off. We’d have a buy-
out option if one of us became
inordinately attached to it, and
there would be a review every 12
months. We each made a list of
our requirements, which pretty
well coincided, and have started
to think about what we will buy.
We haven’t made our decision but
it’s all very exciting.
What I would like to know is
are there other camera-sharers
out there? If there are (and that
would be consoling because it
would prove that we aren’t totally
mad) what are your experiences? I
look forward to hearing from you!
What we’re planning next
96
HOW TO SUBMIT
FILE EDITORS
Tim Daly examines the pros and
cons of Raw file editors
Your chance to earn
cash for your pictures
© Lee Frost
54
Elizabeth Roberts, Editor
elizabethr@thegmcgroup.com
50
26
© Mark Tripp
©Giovanni Tait
B&W
April 2012
3
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