Black + White Photography - February 2015 UK, CZYTELNIA ZUPEŁNIE NOWA
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//-->PHOTOGRAPHY HOLIDAYS & COURSES 2015BROUGHT TO YOU BY BLACK+WHITE PHOTOGRAPHY AND OUTDOOR PHOTOGRAPHYCOOL, CREATIVE AND CONTEMPORARYULTIMATE GUIDE2015EDITOR’S LETTERSElizabeth Roberts, Editorelizabethr@thegmcgroup.comome of the most interesting times inthe photography office are when wedown tools and talk, argue, brainstorm,banter and generally throw ideasaround. Inevitably the outcome is a newtrain of thought that leads to an ideathat comes to fruition – as something.The collective thought process is one of themost creative ways to come up with ideas –and this can pretty well apply to anything.In terms of photography, working with otherlike-minded people whose goals might not bethe same but whose passion and interest areshared, can be so productive. We don’t alwayshave to agree with one another – debate andexchange are important ways to find out whatyou really think – but to open up ideas and totalk them through can be stimulating andinspiring – and can lead to new approaches andexperimentation in our work.Trying something new can be uncomfortable,but it can be exciting. It might not work firsttime but given enough focus, and a bit of practice,it might produce something interesting. Whetherit’s having a go at 3D printing (more of this in laterissues) or trying out an alternative process,it doesn’t matter as long as it excites you, and,more importantly, if you work in conjunctionwith other people.Photography can be such a solitary occupation(and there’s nothing wrong with that) but thereis a chance that we become insular, with no newinjection of ideas – we reside in a too safe world.If we stick with what we know too rigidly we’re indanger of going stale – and that’s when the energyand life go out of things.If we’re brave enough to open ourselves up, toexpose ourselves to new ideas, we’re already halfway there – we don’t need to chase everything butnow and then something someone else says mightfire our imagination and a spark will catch.Try it.© Eddie Ephraumsfacebook.com/blackandwhitephotog© James Torrfollow us on twitter @BWPMagPINBOARD© Mark PearsonGOLD MEDALCongratulations to James Torr whoseimage won gold at his local cameraclub’s International Projected Imagecompetition. The picture was taken duringthe recent B+W reader workshop at theNatural History Museum.Turn to page 48 to find out more.© Kasia WozniakB+W01COVER IMAGEMark Pearson’s powerful groupportrait taken during a trip toPakistan makes this month’sfront cover. Turn to page 8 toread more about the remarkablestories he has to share.markpearson.co.uk© Jon BurtoftPICK OF THE PICSWe overheardB+W’sgifted designer TobyHaigh say this picture (above) was one ofhis favourites from the issue. It remindsus a little of Leonardo da Vinci’s drawingVitruvian Man.The photograph is part ofKasia Wozniak’s wet plate collodion seriesReba Maybury.Read more on page 24 abouther fascinating way of working.kasiaw.comA POLAROIDOF POLPERROJon Burtoft’s picture of theCornish coast caught ourattention this month. Theimage was taken on a PolaroidLand Model 250 camera withFuji FP100C peel apart film.@JBurtoftISSUE 173 FEBRUARY 2015© Mark Pearson© Kasia WozniakHOW TOSUBMITPhotocopies of this formare acceptable. Please tickwhich category you aresubmitting pictures to:824PHOTO PROJECTSLAST FRAMEPORTFOLIONameAddressPostcodeDaytime telephone no© Marc Riboud©Jon Cartwright© Brad Temkin18Email02B+WWhen burning your CD, create twofolders: one containing high-res Tiffsor Jpegs (300dpi to about A4), theother containing low-res Jpegs (72dpito about 20cm on the longest side).Images must be Mac-compatible.Please write your name and contactdetails on the CD or include this ina text file. Print submissions should bea maximum of 12x16in and must notbe sent in tubes. We are currentlyunable to receive submissions online.4022SEND YOURSUBMISSIONS TOBlack+White Photography,GMC Publications Ltd, 86 High Street,Lewes, East Sussex BN7 1XNFEATURESNEWSWhat’s happeningin the B&W worldCOMMENT8CAT ON A HOTTIN ROOF4NEWSROOM227678AMERICANCONNECTIONMark Pearson on photographingthe Boxing Day tsunamiSusan Burnstine talksto Brad TemkinGET IN TOUCHTel 01273 477374facebook.com/blackandwhitephotogtwitter.com/BWPMag244080THE ROADTO DAMASCUSKasia Wozniak reinventsSherlock HolmesEDITORElizabeth Robertselizabethr@thegmcgroup.com7IN THE FRAME18ON THE SHELFYour guide tophotography exhibitionsThe best photography booksA FORTNIGHTAT F/8Show us how good youcan be, says Tim ClinchA TASTE FORFREEDOMDEPUTY EDITORMark Bentleymarkbe@thegmcgroup.comCelebrating the work ofMarc Riboud20EXHIBITION OFTHE MONTHBEHINDTHE SCENESThe must-see showColin Harding on a precocious20th century photographerASSISTANT EDITORAnna Bonita Evansanna.evans@thegmcgroup.com60-SECONDEXPOSURECinematic images byStephen SheffieldNEXT MONTH’S ISSUE IS OUT ON 19 FEBRUARY© Marek Charytonowicz© Grace Law3832© Eddie Ephraums© Lee Frost© Tim Clinch48587003B+WTECHNIQUEINSPIRATIONTESTS ANDPRODUCTSYOURBLACK+WHITE5870SHADOWPLAYLee Frost on thecreative potential of shadows38PHOTO PROJECTWINNERB+W READERWORKSHOP6872SIGMA DP2QUATTROPrize-winning picturesHigh spec camera giventhe B+W test64PHOTO PROJECTSTim Daly setsyou a challenge48NEWSERIESCHECKOUT3282SMARTSHOTSPORTFOLIOSend us yourbest smartphone picturesComing soonWe want to see your workFour readers explore theNatural History MuseumThe six bestsmall shoulder bagsSMART GUIDETO PHOTOGRAPHYTim Clinch on the bestapps for photographers54BLACK & WHITE85FILM SERIESEddie Ephraumson the delights offilm photographyBLACK+WHITELOVESCool photography gear86SUBSCRIPTION92OFFERNEXT MONTHHave B+W delivered to your door96LAST FRAMEWin a framed printwith your best image
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