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//-->COOL, CREATIVE AND CONTEMPORARYPhotograph and words by student Sarah-Jane FieldBLACK + WHITEPHOTOGRAPHYEDITORIALEditorElizabeth Robertsemail:elizabethr@thegmcgroup.comDeputy EditorMark Bentleyemail:markbe@thegmcgroup.comFeatures EditorAnna Bonita Evansemail:anna.evans@thegmcgroup.comDesignerToby Haigh© Anthony BaileyA PARADOX OF LIFEADVERTISINGAdvertising SalesGuy Stocktontel:01273 402823email:guy.stockton@thegmcgroup.comPUBLISHINGMARKETINGPublisherJonathan GroganMarketing ExecutiveAnne Guillottel:01273 402 871PRODUCTIONProduction ManagerJim BulleyOrigination and ad designGMC ReproPrinterBuxton Press LtdDistributionSeymour Distribution LtdSUBSCRIPTIONSSubscriptionsHelen Johnstontel:01273 488005fax:01273 402866email:helenj@thegmcgroup.com(includes postage and packing )12 issues - Save 10%:£51.30 (UK) £64.13 ( Europe)£71.82 ( Rest of world)24 issues - Save 20%:£91.20 (UK) £114 ( Europe)£127.68 ( Rest of world)Direct Debit - Save 30%:£19.95 ever 6 issues (UK only)£39.90 every 12 issues (UK only)Cheques should be made payable toGMC Publications Ltd. Current subscriberswill automatically receive a renewal notice(excludes direct debit subscribers)SUBSCRIPTION RATESe’ve had some pretty stormy weatherdown in the south of England lately.I’m living close to the sea, near the placeI grew up, and am particularly fond ofthese storms that hit the coast because they remindme of my childhood.Last Sunday I woke up to hear the wind ragingoutside and a look out the window told me it was apretty wild sea out there – I’d been waiting for this asI wanted some pictures of rough sea for a projectEDITOR’SI’m working on. So off I went.When I got to the beach I could hardly stand up, theLETTERwind was blowing so hard. I couldn’t hear anythingJANUARYbecause of the sound of the waves crashing on theshingle and the salt spray had coated my glasses so that2017my vision was blurred. All this I am familiar with andlove. However, it’s not ideal for photography.My first 10 or so pictures were out of focus. Using arangefinder is usually quite good in these conditions asyou can focus by feel (no autofocus remember) but when you are trying to keep yourbalance and not be blown off your feet you can nudge the lens by accident, which iswhat I must have done. I soon put this right and took another 30-odd picturesbefore climbing back up the beach.And that’s when it occurred to me that I hadn’t really experienced somethingthat has always been precious to me – fighting the wind, feeling the power of thesea, yelling out loud with the sheer joy of it – I’d been too occupied with gettingthe picture.Back home, I downloaded the images and, in the warm comfort of indoors, feltvery satisfied with what I had caught – a stray bird sailing on the wind, a wavebreaking on the shingle, the surface of the sea boiling. But there was still thislingering wish that I’d given myself over to it entirely so that it had remained amemory, an experience of the body, rather than an image. I’m still not sure which Iwould have preferred, but I know I could only have one. A paradox of life, I suppose.Elizabeth Roberts, Editorelizabethr@thegmcgroup.comWB+W01POST YOUR ORDER TOThe Subscription DepartmentGMC Publications Ltd, 166 High Street,Lewes, East Sussex, BN7 1XU, UKTel +44(0) 1273 488005,Fax: +44(0) 1273 402866or visit www.thegmcgroup.comBlack+ White Photography (ISSN 1473-2467) is publishedevery four weeks by GMC Publications LtdBlack+White Photography will consider articles for publication,which should be sent to the editor together with a stamped self-addressed return envelope. GMC Publications cannot acceptliability for the loss or damage of unsolicited material, howevercaused. Views and comments expressed by individuals in themagazine do not necessarily represent those of the publishersand no legal responsibility can be accepted for the results of theuse by readers of information or advice of whatever kind given inthis publication, either in editorial or advertisements. No part ofthis publication may be reproduced, stored in a retrieval systemor transmitted in any form or by any means without the priorpermission of GMC Publications Ltd. With regret, promotionaloffers and competitions, unless otherwise stated, are notavailable outside the UK and Eire.© Guild of Master Craftsman Publications Ltd. 2017blackandwhitephotographymag.co.ukfacebook.com/blackandwhitephotogfollow us on twitter @BWPMag@bwphotomag© Gili Yaari© René Burri/Magnum Photos0842© Mark Luscombe-Whyte© The Peter Hujar Archive, LLC. Courtesy the Pace Macgill Gallery, New York and the Fraenkel Gallery, San Francisco.243202B+WBLACK+ WHITE PHOTOGRAPHYISSUE 198 JANUARY 2017NEXT MONTH’S ISSUE IS OUT ON 19 JANUARYCOVERThis month's cover is byPentti Sammallahti.32THE GIFT OF THE PRESENTExploring the work of Peter Hujar18ON THE SHELFOur pick of the bestphotography books66FACE TO FACEFEATURES08STRANDED IN GREECEGili Yaari documents theplight of asylum seekersResonant wet platecollodion portraits byMark Luscombe-WhyteSteve Koss on photographinghis home town of Detroit20IN THE FRAMEYour guide to exhibitionsNEWS04NEWSROOMThe latest from the worldof monochromeCOMMENT22AMERICAN CONNECTIONSusan Burnstine talks to acclaimedphotographer Julia Dean24WHEN THE PAST SPEAKS06ON SHOWThe photography exhibition to see42A MODERN EYEShoair Mavlian on René Burri© Lee Frost© Wayil Rahmatalla5096© Tim Daly56© Krzysztof Janczewski70© Tim Clinch6803B+WFOR DETAILS OF HOW TO GET PUBLISHED IN B+W TURN TO PAGE 86BLACKANDWHITEPHOTOGRAPHYMAG.CO.UK64A FORTNIGHT AT F/8Tim Clinch puts the funback into photography68SMART GUIDETO PHOTOGRAPHYKeeping smartphoneshooting simpleTESTS & PRODUCTS78IN FOCUSA close look at the Canon EOS M5YOUR B + W70SMARTSHOTSFabulous smartphone picturesTECHNIQUE50TOP TIPSShoot minimalist landscapeswith Lee FrostINSPIRATION41INSIGHTSeeing the world through a lens80CHECKOUTSix of the best external hard drives72SALONA story in photographs84BLACK+WHITE LOVESThe coolest new kit88SUBSCRIPTION OFFER90NEXT MONTHTreats in store56PHOTO PROJECTSMaster the skillsof compositionHaveB+Wdelivered to your door46THINKING PHOTOGRAPHY60GET CURATINGThe unique satisfaction of the printPreparing for an exhibitionA prize-winning single image96LAST FRAME [ Pobierz całość w formacie PDF ]