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 project in mind, especially with
someone I’ve known all my life.
And it started me thinking
about other collaborative work
I’ve been involved in, from
workshops to books and lots in
between. I love working with
other people, be it one-to-one or
in larger collaborations – sparking
ideas off, establishing new ways of
seeing, drawing on each person’s
strengths and experiences – to
create something which could not
have been created in isolation.
Of course you need to work
alone most of the time, to find
your own identity and go in your
own direction – but to come out
of it now and then can be
unexpectedly productive.
When I look back at the people
I’ve worked with I remember two
things – the outcome, which has
generally been really rewarding,
and the sheer fun of it. Exciting,
entertaining and uplifting – and
quite often a great learning
experience. But, however serious
the project, there’s always been a
bit of laughter involved. We
sometimes forget that creativity
has a large element of play in it.
And play is fun.
Here in the office, some of our
best ideas come from times when
we allow ourselves to forget for a
moment the pressing deadline or
the emails piling up, and let
ourselves indulge in some playful
discussion or banter – it
frequently opens doors to ideas
that would otherwise have
remained shut.
So, for the next few months I’m
hoping to have some fun, and
who knows, maybe something
interesting will come out of it…
editor’s
letter
M
y sister lives in
Australia which
means we don’t
have much
opportunity to
see one another, but we chat on
the phone, email and, more
recently, being a bit fed up with
emails, I’ve resorted to sending
her postcards with my images on.
In return she’s been sending me
poems (she’s a talented writer). It
just seemed a fun thing to do. But
© Tim Clinch
last week she contacted me to say
that an online publisher had seen
both her writing and my website
and has invited us to collaborate
on a project. After all the years
we’ve spent apart it feels like a
really good thing to do together.
I’m not sure where it’s going yet,
but it’s exciting to have a new
Elizabeth Roberts, Editor
elizabethr@thegmcgroup.com
Follow us on twitter
@BWPMag
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blackandwhitephotog
PiNBoArd
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PostCArd FroM sUsseX
A big thank you to Much Ado Books in
Alfriston in Sussex for hosting our reader
workshop (see next month’s issue) and for
sending us this lovely (and genuinely old)
postcard to add to our collection.
muchadobooks.com
Cover iMAge
This month’s cover image is by Annemarie Farley
too MANY…
We recently heard that 600 million pictures
are taken every week in the UK alone, which
gives a world count of…no, don’t think about it.
Instead, slow down and think before you shoot.
Join the discussion on the new B+W Facebook
page: facebook.com/blackandwhitephotog
iN PriNt
Here at the coal face – our new printers,
Headley Brothers in Ashford.
tHe BUlgAriAN legACY
With the
departure of
Tim Clinch from
the UK shores
(destiny Bulgaria)
came a huge
goodie bag for
the B+W team
– photography
books galore and
some fabulous prints – this one found its
way home with Jim Bully our amazing and
devoted production manager.
PlAY-doHiNg AroUNd
We were delighted when we saw Eleanor
Macnair’s new blog, where she reproduces
iconic photographs in Play-doh. Images by
Bill Brandt, Clare Strand and Sarah Moon
have all been transformed into colourful
and entertaining renditions – we’ve got our
favourite, what’s yours?
photographsrenderedinplaydoh.tumblr.com
© Elizabeth Roberts
Quote of the month
…comes from our talented designer Toby
Haigh who was heard to say: ‘I’ve got some
knitting to be getting on with…’ We think
he’s been overdoing the surfing lately.
© Jim Bully
  © Jonathan Chritchley
© Robin Sinha
46
how To
sUBmiT
Photocopies of this form
are acceptable. Please tick
which category you are
submitting pictures to:
PhoTo ProJeCTs
lasT frame
PorTfolio
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© Annemarie Farley
38
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When burning your CD, create two
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or Jpegs (300dpi to about A4), the
other containing low-res Jpegs (72dpi
to about 20cm on the longest side).
Images must be Mac-compatible.
Please write your name and contact
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senD yoUr
sUBmissions To
Black+White Photography,
GMC Publications Ltd, 86 High Street,
Lewes, East Sussex BN7 1XN
feaTUres
news
CommenT
10
The fine arT
6
newsroom
30
ameriCan
of JonaThan
ChriTChley
A photographer inspired by the sea
38
The melanCholy
ConneCTion
Haunting portraits by
Gary Briechle
54
viewfinDer
Pictures of the underworld,
plus fairs, festivals and more
8
Book reviews
GeT in ToUCh
Tel 01273 477374
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eDiTor
Elizabeth Roberts
elizabethr@thegmcgroup.com
DePUTy eDiTor
Mark Bentley
markbe@thegmcgroup.com
assisTanT eDiTor
Anna Bonita Evans
anna.evans@thegmcgroup.com
The best new photography
books out now
20
in The fram
e
of flowers
The story of how Annemarie
Farley came to photography
47
new york series
John Dooley takes his
camera to Shangri-La
86
a forTniGhT
Your guide to
photography exhibitions
22
oUTsiDe The
aT f/8
Tim Clinch on Polaroid 55 and
industrial quantities of vodka
88
BehinD The
Take 1
Robin Sinha hits the streets
of New York
88
60-seConD
fram
e
Your guide to international
photography exhibitions
24
eXhiBiTion
sCenes
A tiny camera fit for a queen
eXPosUre
Images exploring memory and
innocence by Deborah Parkin
of The monTh
The sublime work of
Michael Kenna
  issue 156 noVember 2013
© Lee Frost
© Tim Daly
60
66
© Clayton Bastiani
56
05
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tests and
Products
your
black
+
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technique
insPiration
60
Fundamentals:
56
the imaGe maker
80
n iko n d710 0
32
PortFolio
lens choice
Lee Frost’s guide to finding
the right lens
66
Photo Projects
The art of manipulation
by Clayton Bastiani
70
the lanGuaGe
The 24Mp DSLR put
to the B+W test
82
checkout
Your pictures could
win a great prize
76
subscriPtion
oF the black
& white Print
Eddie Ephraums explores
the possibilities of photo
gravure printing
oFFer
Have
B+W
delivered to your door
95
neXt month
The six best blogging
sites for promoting your work
93
black
+
white
Tim Daly’s exciting
new series
79
discoVerinG
new series
loVes
New gear in the shops and online
What’s coming up in
our December issue
104
last Frame
liGhtroom
Neat little tips for Lightroom 5
A single image for
your pleasure
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